{"id":2543,"date":"2023-10-05T18:10:33","date_gmt":"2023-10-05T17:10:33","guid":{"rendered":"http:\/\/www.cineclubdubelvedere.fr\/?p=2543"},"modified":"2024-09-02T16:09:42","modified_gmt":"2024-09-02T15:09:42","slug":"les-amants-crucifies-mardi-13-fevrier-20h30","status":"publish","type":"post","link":"https:\/\/www.cineclubdubelvedere.fr\/?p=2543","title":{"rendered":"Les amants crucifi\u00e9s &#8211; Mardi 13 f\u00e9vrier 2024"},"content":{"rendered":"\n<p>Film de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Kenji_Mizoguchi\">Kenji Mizoguchi<\/a> sorti en 1954 &#8211;<\/p>\n\n\n\n<p>\u00c0 la fin du XVIIe si\u00e8cle, Mohei est un brillant employ\u00e9 de l&rsquo;imprimeur des calendriers du palais imp\u00e9rial. O-San, la jeune \u00e9pouse de son patron, sollicite son aide pour \u00e9ponger les dettes de sa famille car son mari est trop avare. Mohei accepte et emprunte l&rsquo;argent sur la commande d&rsquo;un client.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les Amants crucifi\u00e9s ( 1954 - extrait VOST )\" width=\"780\" height=\"585\" src=\"https:\/\/www.youtube.com\/embed\/nq1UI8N2cso?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Les amants crucifi\u00e9s<\/p>\n\n\n\n<p>C\u2019est le troisi\u00e8me film de Kenji MIZOGUCHI sorti en 1954 au mois de novembre. Il occupe une place \u00e0 part dans sa filmographie. Les amants crucifi\u00e9s est le grand film d\u2019amour fou de sa carri\u00e8re. Il s&rsquo;est inspir\u00e9 d&rsquo;une trag\u00e9die de Chikamatsu Monzaemon, c\u00e9l\u00e8bre dramaturge de l&rsquo;\u00e8re Edo (1600-1868).<\/p>\n\n\n\n<p>Kenji MIZOGUCHI, <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bande-annonce de R\u00e9trospective Kenji Mizoguchi en 8 films [Capricci]\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/ZT9Kau90GvM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/plan-large\/m-comme-kenji-mizoguchi-le-plus-grand-cineaste-du-monde-9889198\" target=\"_blank\" rel=\"noreferrer noopener\">Podcast Plan Large sur Mizoguchi<\/a><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><a href=\"https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/plan-large\/m-comme-kenji-mizoguchi-le-plus-grand-cineaste-du-monde-9889198\">M comme Kenji Mizoguchi, le plus grand cin\u00e9aste du monde<\/a><\/p>\n\n\n\n<p>Auteur de grands m\u00e9lodrames f\u00e9ministes, ma\u00eetre incontest\u00e9 du plan s\u00e9quence, l\u2019\u0153uvre du cin\u00e9aste Kenji Mizoguchi oscille constamment entre \u00e9pure et violence, entre r\u00eave et r\u00e9alit\u00e9. Plan large sur un peintre du quotidien, qui a toujours plac\u00e9 les femmes au centre de ses histoires.<br>Avec<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Gabriela Trujillo Sp\u00e9cialiste des avant-gardes latino-am\u00e9ricaines et europ\u00e9ennes, et travaille \u00e0 l&rsquo;action culturelle de la Cin\u00e9math\u00e8que fran\u00e7aise<\/li>\n\n\n\n<li><a href=\"https:\/\/www.radiofrance.fr\/personnes\/mathieu-macheret\">Mathieu Macheret<\/a> Critique de cin\u00e9ma, journaliste au Monde et aux Cahiers du Cin\u00e9ma<\/li>\n<\/ul>\n\n\n\n<p>Plan Large, consacr\u00e9 aujourd\u2019hui \u00e0 un des plus grands cin\u00e9astes japonais, le plus grand des cin\u00e9astes tout court, pas seulement selon <a href=\"https:\/\/www.franceculture.fr\/cinema\/mort-de-jean-douchet-le-passeur-cinephile\" class=\"\" target=\"_blank\" rel=\"noreferrer noopener\">le critique Jean Douchet,<\/a> mais aussi pour toute la jeune garde critique qui allait donner la Nouvelle Vague\u202f qui le d\u00e9couvrit au d\u00e9but des ann\u00e9es 1950, avant la mort du cin\u00e9aste en 1956, alors qu\u2019il avait d\u00e9j\u00e0 plus de 80 films derri\u00e8re lui (dont les trois quarts sont aujourd\u2019hui disparus). Le cin\u00e9aste, aux films aussi violents dans leur contenu que doux dans leur mise en sc\u00e8ne \u00e9pur\u00e9e, grand humaniste mais aussi despote de plateaux de cin\u00e9ma, surnomm\u00e9 \u00ab&nbsp;la sangsue d\u00e9moniaque&nbsp;\u00bb par ses collaborateurs, il savait utiliser magistralement le plan s\u00e9quence.&nbsp;<\/p>\n<cite>Radio France<\/cite><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Film de Kenji Mizoguchi sorti en 1954 &#8211; \u00c0 la fin du XVIIe si\u00e8cle, Mohei est un brillant employ\u00e9 de l&rsquo;imprimeur des calendriers du palais imp\u00e9rial. O-San, la jeune \u00e9pouse de son patron, sollicite son aide pour \u00e9ponger les dettes de sa famille car son mari est trop avare. Mohei accepte et emprunte l&rsquo;argent sur <a class=\"more-link\" href=\"https:\/\/www.cineclubdubelvedere.fr\/?p=2543\">Lire plus &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":2574,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives"],"_links":{"self":[{"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/posts\/2543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2543"}],"version-history":[{"count":6,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/posts\/2543\/revisions"}],"predecessor-version":[{"id":2595,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/posts\/2543\/revisions\/2595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=\/wp\/v2\/media\/2574"}],"wp:attachment":[{"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cineclubdubelvedere.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}